The Major
The American Studies major is designed to combine depth and breadth, foundations and flexibility.
Building on the gateway seminar, AMSTUD 160: Perspectives on American Identity, and on core courses in History and Institutions, Literature and the Arts, and Race and Ethnicity, the major gives students an uncommon degree of freedom, both in choosing some of the courses to fulfill core requirements and designing their own interdisciplinary Thematic Concentration.
Requirements
Students graduating in 2025 or after must take a minimum of 14 courses for a minimum of 62 units.* These courses include:
- AMSTUD 160: Perspectives on American Identity.
- Three (3) courses in History and Institutions, including at least one course on the Colonial and Revolutionary period (typically AMSTUD/History 150A) and one on the 19th century (typically AMSTUD/History 150B).
- Three (3) courses in Literature, Culture, and the Arts, including at least one course on American literature before the Civil War (typically AMSTUD 150/English 11B), and at least one course in art, drama, film, music, or translation studies.
- One (1) course in Race and Ethnicity.
- Five (5) courses relevant to the student's Thematic Concentration, including at least one upper-level seminar requiring a substantial research project.
- AMSTUD 99: Senior Colloquium (for Majors graduating in 2025 or after). Students pursuing Honors may replace AMSTUD 99 with 2 units from Honors Workshops (AMSTUD 199A and 199B).
See below for more details and for lists of suggested courses to fulfill core areas.
(Note: Courses listed below are a guideline. Many other courses may fulfill these requirements as well, including some courses listed under other departments and programs. To confirm the appropriateness of a course not listed here, talk with your advisor. Check ExploreCourses for the most up-to-date list of course offerings; not all courses are offered every year. Please email the Assistant Director of Student Services with any questions or concerns.)
* Majors who declared before August 1, 2023 and/or who are graduating before 2025 may opt to comply with the prior requirement structure. Please consult with your major advisor.
1. Gateway Seminar
- AMSTUD 160, Perspectives on American Identity (typically offered in Autumn and Spring quarters)
Ideally taken early in the student's career as a major, this seminar explores how memory, personal experience and history inform each other; how the debates over what constitutes "Americanness" have changed over time; and how these debates have been shaped by race, ethnicity, gender, and class. Students probe the issues of "difference" and "commonality", and how ideas of self, group, and nation intersect and interact in the past and in the present. Perspectives on American Identity is the Writing in the Major (WIM) course for American Studies.
2. History and Institutions
Majors must complete three courses in history and institutions, with at least one focusing on the colonial and Revolutionary period, typically :
- AMSTUD 150A (same as HISTORY 150A) Colonial and Revolutionary America (Aut)
and another focusing on the 19th century, typically:
- AMSTUD 150B (same as HISTORY 150B) 19th Century America (Win)
Options for the third required history and institutions core course include — but are not limited to — courses listed here. Students should discuss alternatives with their program advisor.
- American Constitutional History from the Civil War to the War on Poverty (HISTORY 155)
- American Economic History (HISTORY 156)
- American Intellectual and Cultural History to the Civil War (HISTORY 154)
- American Landscapes of Segregation (AFRICAAM 58Q, HISTORY 58Q)
- American Road Trips (HISTORY 69Q)
- Colonial and Revolutionary America (HISTORY 150A)
- Exploring American Religious History (CSRE 91, HISTORY 260K, RELIGST 91)
- From Gold Rush to Google Bus: History of San Francisco (HISTORY 252E, URBANST 150)
- History of Education in the United States (EDUC 201, HISTORY 258B)
- History of Higher Education in the U.S. (EDUC 165, EDUC 265, HISTORY 158C)
- Introduction to American Law (POLISCI 122, PUBLPOL 302A)
- Introduction to American Politics and Policy: The Good, The Bad, and The Ugly (POLISCI 102, PUBLPOL 101, PUBLPOL 201)
- Introduction to Feminist, Gender, and Sexuality Studies (CSRE 108, FEMGEN 101, TAPS 108)
- Media, Culture, and Society (COMM 1B)
- Mexican Migration to the United States (CHILATST 173, HISTORY 73, HISTORY 173)
- Nineteenth Century America (AFRICAAM 150B, CSRE 150S, HISTORY 150B)
- Political Power in American Cities (POLISCI 121, PUBLPOL 133, URBANST 111)
- Religion and War in America (CSRE 105, HISTORY 254D, HISTORY 354D, RELIGST 105)
- The American West (ARTHIST 152, ENGLISH 124, HISTORY 151, POLISCI 124A)
- The Dialogue of Democracy (COMM 137W, COMM 237, POLISCI 232T, POLISCI 332T)
- The Feminist Critique: The History and Politics of Gender Equality (CSRE 63N, FEMGEN 63N, HISTORY 63N)
- The Politics of Sex: Work, Family, and Citizenship in Modern American Women's History (CSRE 162, FEMGEN 161, HISTORY 61, HISTORY 161)
- The United States in the Twentieth Century (AFRICAAM 150C, HISTORY 150C)
- War and Peace in American Foreign Policy (INTNLREL 110D, POLISCI 110D, POLISCI 110Y)
- Women and Medicine in US History: Women as Patients, Healers and Doctors (FEMGEN 156H)
3. Literature, Culture, and the Arts
Majors are required to take a minimum of three courses in literature, culture, and the arts, broadly understood, including at least one course focusing on the period before the Civil War, normally
- AMSTUD 150/ENGLISH 11B, American Literature and Culture to 1855 (typically offered in Spring quarter)
plus two additional courses, including at least one course outside of literature that emphasizes art, drama, film, music, translation studies, or culture from a different disciplinary or interpretive perspective. Choices include (but are not limited to):
- 10 American Photographs (ARTHIST 57Q)
- Abstract Expressionism: Painting/Modern/America (ARTHIST 155C)
- American Architecture (ARTHIST 143A, ARTHIST 343A, CEE 32R)
- American Women Writers, 1850-1920 (ENGLISH 139B, FEMGEN 139B)
- Animation and the Animated Film (FILMSTUD 129, FILMSTUD 329)
- Asian American Art: 1850-Present (ARTHIST 186B, ASNAMST 186B)
- Asian American Autobiography/W (ASNAMST 91A, CSRE 91D, ENGLISH 91A)
- Asian American Film and Popular Culture (ASNAMST 115, COMPLIT 159)
- Baldwin and Hansberry: The Myriad Meanings of Love (AFRICAAM 250J, CSRE 250J, FEMGEN 250J, TAPS 250J)
- Being John Wayne (FILMSTUD 220, TAPS 220A)
- Curating Experience: Representation in and beyond Museums (CSRE 226X, EDUC 226)
- Dance in Prison: The Arts, Juvenile Justice, and Rehabilitation in America (DANCE 197, TAPS 197)
- Documentary Fictions
- European and North African Visions of the American West
- Family Drama: American Plays about Families (TAPS 40N)
- Fashion and Photography
- Introduction to English II: American Literature and Culture to 1855 (ENGLISH 11B)
- Introduction to English III: Introduction to African American Literature (AFRICAAM 43, ENGLISH 12A)
- Jewish American Literature (ENGLISH 145D, JEWISHST 155D, REES 145D)
- Mark Twain and American Culture
- Migration and Diaspora in American Art, 1800-Present (ARTHIST 151, ARTHIST 351, ASNAMST 151D, CSRE 151D)
- Perspectives on American Journalism (COMM 125, COMM 225)
- Race, Gender, and Sexuality in Contemporary American Film (AFRICAAM 117J, ASNAMST 117D, CSRE 117D, FEMGEN 117F)
- Re- Imagining American Borders (CSRE 183, FEMGEN 183)
- Reading Comics (FILMSTUD 114, FILMSTUD 314)
- Representing Fashion (ARTHIST 166)
- Science Fiction: Cyborgs & Human Simulacra in the Cinema (FILMSTUD 119, FILMSTUD 319)
- Short Story to Big Screen (ENGLISH 141F)
- Signal to Noise: The Sounds of American Culture
- Starstuff: Space and the American Imagination (ARTHIST 264B, FILMSTUD 264B)
- Steinbeck (ENGLISH 146A)
- Technology and American Visual Culture (FILMSTUD 133B)
- The 5th Element: Hip Hop Knowledge, Pedagogy, and Social Justice (AFRICAAM 32, CSRE 32A, EDUC 32, EDUC 432, TAPS 32)
- The American Songbook and Love Poetry
- The American West (ARTHIST 152, ENGLISH 124, HISTORY 151, POLISCI 124A)
- The JFK Era and American Literature
- The Rise of Digital Culture (COMM 120W, COMM 220)
- The Yiddish Story (JEWISHST 240)
- Warhol's World (ARTHIST 153, ARTHIST 353, FEMGEN 153, TAPS 153W, TAPS 353W)
At least one literature, culture, and the arts core course must focus on art, drama, film, music, translation studies, or culture from a disciplinary or interpretive perspective outside of literary study.
4. Race and Ethnicity
Majors must take at least one course that focuses on the study of race and/or ethnicity, ideally in a comparative context. (Note that this is in addition to courses taken under other requirement categories). Options for fulfilling the race and ethnicity core course include — but are not limited to — courses listed here. Students should discuss alternatives with their program advisor.
- American Prophet: The Inner Life and Global Vision of Martin Luther King, Jr. (AFRICAAM 68D, CSRE 68, HISTORY 68D, HISTORY 168D)
- Asian American Autobiography (ASNAMST 91A, CSRE 91D, ENGLISH 91A)
- Asian American Film and Popular Culture (ASNAMST 115, COMPLIT 159)
- Asian Religions in America; Asian American Religions (ASNAMST 281, RELIGST 281, RELIGST 381)
- Baldwin and Hansberry: The Myriad Meanings of Love (AFRICAAM 250J, CSRE 250J, FEMGEN 250J, TAPS 250J)
- Comparative Fictions of Ethnicity (COMPLIT 51Q, CSRE 51Q)
- Critical Family History: Narratives of Identity and Difference (AFRICAAM 118X, ASNAMST 118S, CSRE 118S)
- Education, Race, and Inequality in African American History, 1880-1990 (AFRICAAM 116, CSRE 216X, EDUC 216, HISTORY 255E)
- Introduction to English III: Introduction to African American Literature (AFRICAAM 43, ENGLISH 12A)
- Language as Political Tool: Feminist and LGBTQ Movements and Impacts (FEMGEN 157, FEMGEN 257)
- Learning Religion: How People Acquire Religious Commitments (EDUC 231, JEWISHST 291X, RELIGST 231X)
- Mexican Migration to the United States (CHILATST 173, HISTORY 73, HISTORY 173)
- Mexicans in the United States (CHILATST 171, CSRE 171H, HISTORY 271)
- Mixed-Race Politics and Culture (AFRICAAM 226, CSRE 152K, ENGLISH 152K)
- Race, Ethnicity, and Electoral Politics (CSRE 89)
- Race, Gender, and Sexuality in Contemporary American Film (AFRICAAM 117J, ASNAMST 117D, CSRE 117D, FEMGEN 117F)
- Re- Imagining American Borders (CSRE 183, FEMGEN 183)
- Solidarity and Racial Justice (AFRICAAM 157P, CSRE 157P, FEMGEN 157P)
5. Thematic Concentration and Capstone Experience
All students must design a thematic concentration of at least 5 courses. The courses, taken together, must give the student in-depth knowledge and understanding of a coherent topic in American culture, history, and institutions. A list of sample thematic concentrations can be found below; some of the courses that might go toward a thematic concentration can be found under Courses on this website and on the American Studies Bulletin page. (N.b., courses listed under other departments and programs may also be possible. Check with your advisor to confirm appropriateness.) At least one of the thematic concentration courses must be an upper-division seminar requiring a significant research project.
Students may choose to spend a quarter or two in the Stanford-in-Washington program taking courses that complement their thematic concentrations. Seminars taken under the aegis of the Stanford-in-Washington Program often fulfill the above seminar requirement.
We also encourage students to explore Bing Overseas Studies. Courses that view American culture and institutions from a transnational perspective often provide comparative frameworks for students' thematic concentrations.
To complete the capstone requirement, majors graduating in 2025 or later must do one of the following:
AMSTUD 99: Senior Colloquium: Required for majors graduating in 2025 or later. In this 2-unit colloquium, taken in winter of senior year, majors develop a capstone project and presentation. In this, students may opt to build on an essay or project from their thematic concentration seminar or other course or, with approval, may develop another essay or project related to their thematic concentration. Students will present their capstone research in winter or spring of senior year.
(Note: Majors who declared before August 1, 2023 or are graduating before 2025 are not required to take AMSTUD 99 but are required to designate and take a “capstone seminar” within their thematic concentration— an advanced seminar approved by their advisor and requiring a substantial research project.)
Or
Honors Thesis: Qualified majors may apply to pursue an honors thesis in their senior year for 10-15 units total, including three units from required pre-honors and honors workshops (AMSTUD 198, 199A, and 199B), plus 7-12 units of AMSTUD 250: Senior Research, divided across Senior year. Honors students are exempt from the Senior Colloquium and may instead use two units of the required honors workshop units (e.g., from 199A and 199B) to replace the 2-unit Senior Colloquium. The additional 8-13 thesis units do not count toward major course and unit minimums. Honors students present their projects, typically in spring of the senior year. (See details under Honors.)
Declaring the Major
First, apply for the Major through AXESS. (Please do not choose "honors" at the time of application. Students wishing to write honors theses will add that designation at the end of the junior year.)
After meeting with the Director or one of the Program Coordinators (see Advising tab for contact information), who provide assistance in course planning and approve the study plan, the application process is completed when you submit your approved tentative study plan to the American Studies office (Building 460, Room 219), or via e-mail to the Assistant Director of Student Services.
You may download the American Studies Major Plan, or pick up a hard copy at the office.
Examples of Thematic Concentrations
These examples are meant to be suggestive. There are innumerable other possibilities. You are invited to design a unique thematic concentration that fits YOUR interests. Use this list to spark your imagination.
- Borders and Boundaries in American Culture
- Religion in American Life
- Native American Cultures
- Education in America
- American Moderns
- Inequality and Democracy in America
- The Politics of War and Peace in the U.S.
- Debating Democracy in America
- Hollywood and American Culture
- Ethics and the Professions in America
- Global Perspectives on America’s Role in the World
- Gender and American Popular Culture
- Inequality and Social Policy in America
- The Arts of the Harlem Renaissance
- Women’s Reproduction in American Culture and Society
- The West in American Art and Culture
- The Legacies of the Cold War in the U.S.
- Race and Racism in American Culture & Society
- Constructions of Female Identity in America
- Health Policy in America
- The Artist in American Society
- Nature & the Environment in American Culture
- Technology and Culture in America
- Urban Politics and Education in the U.S.
- Politics and the Media in America
- The African Diaspora in America
- The Politics of Poverty in America
- The History and Culture of Early America
- Art and Culture in the 19th Century
- America and the Global Economy
- Technology in American Life and Thought
- Dissent and Democracy
- Race and the Law in America