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Jennifer DeVere Brody

Jennifer DeVere Brody

Theater and Performance Studies
American Studies Bio: 

Jennifer Brody’s research and teaching focus on performance, aesthetics, politics and subjectivity as well as feminist theory, queer studies and contemporary cultural studies. Her work has appeared in Theatre Journal, Signs, Genders, Callaloo, Text and Performance Quarterly and in several edited volumes. Her books, Impossible Purities (Duke University Press, 1998) and Punctuation: Art, Politics and Play (Duke University Press, 2008) both discuss relations among and between sexuality, gender, racialization, visual studies and performance. She is the Drama Department Chair, Professor of Theater & Performance Studies and Affiliate in the CCSRE, Professor of Cultural Studies, Gender and Sexuality Studies, Race Theory, and Performance Studies. She has served as the President of the Women and Theatre Program, on the board of Women and Performance and has worked with the Ford and Mellon Foundations. She co-produced “The Theme is Blackness” festival of black plays in Durham, NC, and curated “Ultra Super” at the Franklin Humanities Center at Duke University. Currently, she is working with colleagues the re-publication of James Baldwin’s illustrated book, Little Man, Little Man and a new book about the intersections of sculpture and performance.

Profile / Bio: 

Jennifer DeVere Brody graduated with a B.A. in Victorian Studies from Vassar College and did her graduate work in English and American Literature at the University of Pennsylvania which awarded her the Thurgood Marshall Prize for Academics and Community Service. Her scholary essays have appeared in Theatre Journal, Signs, Genders, Callaloo, Screen, Text and Performance Quarterly and in numerous edited volumes. Her books, Impossible Purities: Blackness, Femininity and Victorian Culture (Duke University Press, 1998) and Punctuation: Art, Politics and Play (Duke University Press, 2008) both discuss relations among and between sexuality, gender, racailization, visual studies and performance. She has served as the President of the Women and Theatre Program, on the board of Women and Performance and has worked with the Ford and Mellon Foundations. She received that Monette-Horwitz Prize for Independent Research Against Homophobia. She co-produced “The Theme is Blackness” festival of black plays in Durham, NC when she taught in African American Studies at Duke University. Her research and teaching focus on performance, aesthetics, politics and subjectivity as well as feminist theory, queer studies and contemporary cultural studies. Currently, she with Prof. Nicholas Boggs on the re-publication of James Baldwin’s illustrated book, Little Man, Little Man and is writing a new book about the intersections of sculpture and performance. She held the Weinberg College of Board of Visitors Professorship at Northwestern University.